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Handmade Engagement Ring

So lets take a look at the tools, shall we?Tools and Materials Go ring shopping with your girlfriend. Kendra's choice was a toss up between a diamond and by accident, a color changing sapphire. Pull out a rubber mallet and gently beat the silver bar ever so slowly to the perfect size. Learn how to delicately increase your accuracy at cutting as you will perform this step for the prongs. It would also be a good idea to buffer the inside of the prongs as you may not get the chance after the stone is set. Sand and buffer the remainder of the ring as it is much easier not than when the stone is set. Mark or remember where they belong and grind the grove You stone will go off kilter if even one of the grooves are misaligned.

So that's it? You're crazy about your girlfriend, right? Well good because its about time you realized she is incredible! It is entirely possible to craft a for her. That what happened to me! This guide is for a silver engagement ring crafted out of a block of silver. I will then show you how I set this color-changing sapphire into the prongs. This process took roughly a month of my free time and some set-up costs. I already owned most of these tools. My wallet didn't hurt too much as these tools weren't too costly. So lets take a look at the tools, shall we?Tools and Materials Go ring shopping with your girlfriend. It doesn't hurt... much! Discover what type of stone or gem she loves. Kendra's choice was a toss up between a diamond and by accident, a color changing sapphire. Never heard of one? Well neither had we until we picked up the first ring she wanted to look at. She didn't know but I was hooked. I wanted a color changing sapphire for her. It took awhile but I located a mom and pop store and was examining their diamond ring selection when I mentioned color changing and they brought out what I endeared as, "My Precious". ....Not really but it caused tears to well up in my eyes when I first peered at it in direct sunlight. I knew I had to have this gem for her. Enough with me showing off this beauty, now the tools I used: Dremel with various assorted bits. Grinding wheel diamond tipped grout removal smallest drill bit possible (crucial piece) various buffer and polishing bits high speed Steel Setting Bur (size as you need for your ring) Link Below Tongs or tweezers (mine is copper and extra long) Cheap circle drawing compass Tracing paper (not shown) Caliper Steel Mandrel Metal Filer Assorted Sanding Blocks and General Purpose Sanding Paper 5 Troy Ounce Silver Bar 1 Oz Bronze Ball peen Hammer Prong Pusher Small cup/container (for holding water) This is for dropping a uncountably hot silver ring into to cool. Small Bench Vise Head mounted magnification I used a Head Mount Loupe found at: Metal hacksaw or Handsaw I used a metal handsaw I found lying around. Propane Torch and concrete block or high temperature soldering block (items not pictured here) Jewelers Files Rubber MalletSizing Time! Drill a hole in the silver so there is plenty of room to carve out the prongs and set the stone. I drilled a hole in the center of the upper half of the bar and enlarged it from there. I found the diameter of the inside of the ring via this online ring conversion chart: I used the compass and caliper to draw a circle to almost that size on tracing paper and glued that tracing paper to the block to get a close size. I ground the circle out with a dremel grinding bit (not the wheel). I recommend using small drill bits and slowly move up in size as this will save you hours. Note: I used the grinding bit to make pixie dust for another project. No, I'm not girly but if I have a girl one day a vial of pixie dust necklace would be a wonderful gift and sure to extract many a hug! Also, your circle will be imperfect. We can fix that to a perfect circle with Da da da da!!! Steel Mandrel! Insert the steel mandrel through the hole in the silver bar. Pull out a rubber mallet and gently beat the silver bar ever so slowly to the perfect size. Be sure to alternate between each side of the silver bar. This will ensure the ring size is as close to hers as possible.Cut the Block That's all there is to this step. Pop that baby into the vise to get a firm hold on it (not too tightly) and hack away! Leave enough room for the shaft of the ring. I also cut out the sides of the half block depicted in the last picture of this step. That ought to help speed up the process. Learn how to delicately increase your accuracy at cutting as you will perform this step for the prongs. I'm telling you right now, don't mess with the prongs. Its all over if you mess with the prongs. Extract the Prongs You must be gentle starting with this step. You may no longer throw the silver across the room in frustration lest you deform the ring and leave it unusable. I'm talking to you gamers who can't get past a level and smash your controller on the concrete floor or take a sledge hammer to the console. You are not alone! I've done both. Its okay, lets move on controller murderer. Your stone will rest ideally at the very center of the thickest part of your ring (top part of the ring in third picture). I know its weird calling it that but it has a perfect circle! Proof: Grind away at the section of prong until its not the shape of a brick. Decide how thick the band should be i.e. 2-4 millimeters thick Set your caliper to that measurement. place the lower opening against the inside of the band. the upper section of caliper should rest against where the prongs will stand. Scratch the caliper against the silver until a mark appears as in the 4th picture in this step. Decide where the center of the stone will rest and grind or hacksaw through. Remember to leave enough silver for the actual band so you don't have to solder it back together or restart. The finished result will look like the first 2 pictures or last one in this step. Remember that you are aiming to get the prongs cut out of the block at this point. Cut out a maximum of 1mm circumference less than the circumference of your stone/gem. Finish work comes next step!Thin the Ring Thin out the band of the ring then the prongs. I kept the prongs of this ring fairly thick because it is silver and I did not want an expensive natural color changing sapphire getting lost because it fell out of the prongs. Use a dremel with grinding wheel attachment for optimal speed and accuracy. The silver will heat up. Drop it into water to cool off now and again. Use wisdom and discernment. Silver is weaker and more malleable than 14kt gold and platinum. Hence, it wears out far faster under daily wear and tear. I left the prongs thick for that very reason. Surprisingly the prongs look a bit like flower petals or leaves to me. errr, moving on...Open the Prongs You can take a small pair of pliers and bend the prongs 1mm fairly safely without snapping the prongs off. If you need to bend the prongs more you can torch them. Be sure to be in a low lighting room and have the ring on a concrete block. Allow the silver to turn slightly red for several seconds. Pick up the ring with your tongs or tweezers and drop them in water. Repeat this process as needed until the stone sets low enough into the prongs. Kendra wanted a low setting engagement ring so I had to go as low as possible with it. It helped that the seat of the sapphire is extra wide and has a rather obtuse point. Guy talk now... she's wider than she is tall. Back to specifics talk. I shaved down the inside of the prongs and ground away between the prongs to allow as much light as possible underneath without weakening the foundation of the prongs.Drill a Hole Perhaps the smallest hole you will ever need to drill. Purchase the smallest dremel drill bit you can find online or at a hardware store. Drill through dead center between all the prongs. If you are off 3 tenths of a millimeter it will show through the sapphire and you will die. This hole is to allow light to through the bottom of the stone. That ensures maximum possible light to filter into the facets for maximum sparkle. Guys, girls like sparkle. Please do not skip this step for their enjoyment. All women folk thank you. By the way, the last photo in this step has a photo of a dremel and various bits. the one that looks like a pin is a drill bit. Who'da thunk it?File the Prongs File the prongs down so that they are smooth. You ought to use jewelers files for this job. they are small and fine and should do the job quite well. You can alternatively use fine sand paper to perform the same job. It would also be a good idea to buffer the inside of the prongs as you may not get the chance after the stone is set. Take the time to file or grind the prongs down to their final size and thickness. Sand and buffer the remainder of the ring as it is much easier not than when the stone is set.Set the Stone Finally! Took long enought to arrive to this step huh? I made so many mistakes setting the stone I need to elaborate on a couple. Do not blow dust off the stone. Do not blow dust off the stone in your girlfriend's room. Do not blow dust off the stone and let it fall among all your girlfriend's Christmas presents. Performing all of the above leaves you a total idiot. /o/ I'm guilty /facepalm Don't know what that is? Trust Wikipedia! I'm glad to have gotten that off my chest. Now, watch this video: I used my high speed cutting burr (sized to her sapphire) to cut grooves into the prongs. Please be careful in cutting as I've noticed my dremel like to spin off to the right. Place the stone onto the prongs. Decide where the grooves will go. Align them with the girdle of the stone. Mark or remember where they belong and grind the grove You stone will go off kilter if even one of the grooves are misaligned. I know from experience, I had to reset this stone. It should prove quite easy to notice if it is off kilter, just open the prongs, grind the grooves again and reset the stone. This is a job for your prong pusher. Simply set the opposite prong against a solid object and gently ease the prongs closer together. I took a 1oz bronze ball peen hammer and lightly tapped the prongs over the top of the sapphire. I mean i held it in my hand and tapped on the prongs as if I was using a spoon. This ensured a firm clasp over the top of the sapphire. Ensure the stone does not "slip" or "spin" in circle in the prongs. If that occurs the stone will eventually cut through the prongs like a circular saw or allow cloth to get between the stone and prong and tear them further apart. That said, make it a tight fit. Use a one sided jeweler's file to smooth out the prongs. I recommend you sand the other two sides of the jewelers file till they are smooth so you'd be hard pressed to scratch the sapphire. You want to smooth out the prongs so they do not get caught on clothing or other undesirable items and allow your stone to slip then fall out. Do a final polish with any buffer wheels included with your dremel and you should be done!Propose! Plan Plan Plan Then plan to alter the plan at the drop of a hat. Result is not guaranteed but led to the above photo.

grinding wheel related Q&A
The Case for Abrasive Finishing Tools in CNC Applications
With advances in abrasive technology, machining center operators can complete surface finishing simultaneously with other machining operations to speed cycle times, improve quality and save on offline finishing time and costs. As a result, contract machine shops are increasingly turning to abrasive finishing tools that can be integrated easily into CNC machine carousels or toolholding systems. However, in doing so, questions can arise about the use of abrasive materials in expensive CNC machining centers. The concern is often a generalized impression that these abrasives act like sandpaper and release large amounts of grit and debris that could potentially clog coolant lines or damage exposed slides or bearings. "These are very expensive, very accurate machines," says Janos Garaczi, president of Delta Machine Co. LLC, a machine shop located in Gardena, California, that specializes in complex, tight-tolerance parts made of titanium, nickel alloys, stainless steel, aluminum, plastics and other exotic alloys. "I would not do anything to jeopardize the accuracy or lifespan of the equipment." A closer examination of abrasive tools demonstrates that these concerns are largely unfounded. Although abrasives are often lumped into the same category, a distinction must be made between abrasives used for aggressive material removal and abrasive finishing tools. According to Brush Research Manufacturing, which is based in Los Angeles, finishing tools release little to no abrasive grit during use, and the amount generated is comparable to the metal chips, grinding dust and tool abrasion created during the machining process itself. Even if minimal fine solids are produced, the filtration requirements for abrasive tools are not much different than those for machining. Any particulate can be easily removed using inexpensive bag or cartridge filtration systems, says Jeff Brooks of Filtra Systems, a company specializing in industrial filtration systems, including those for CNC coolant. "A disposable media vacuum filter or pressure filter is the most cost-effective option for the end user for filtration that will achieve the high clarity levels required," Mr. Brooks says. "For fine honing work, I would recommend a 20-micron bag or cartridge filter, at minimum, to catch any fine solids and adequately protect the tool, the sump pump and keep the coolant ports from clogging," says Chris Erato, director of sales at Oberlin Filter, a manufacturer of separation filtration for CNC coolant systems. According to Tim Urano, quality manager at Wolfram Manufacturing, based in Austin, Texas, any additional cost for filtration related to the use of abrasive tools is negligible because filtration systems are already required to remove particulate from the coolant generated during the machining process itself. At his shop, that includes scale, grit and rust created by cutting through raw stock. Wolfram Manufacturing is also machining 3D parts made of Inconel, which can release fine metal powder into the coolant that is not fully sintered. As for abrasive tools, Mr. Urano says that Wolfram Manufacturing has never experienced any problems caused by abrasives in its cutting fluids. For the past eight years, the machine shop has incorporated the Flex-Hone from Brush Research Manufacturing in all of its CNC machines used for cross-hole deburring and surface finishing. Characterized by the small, abrasive globules that are permanently mounted to flexible filaments, the product is a flexible, low-cost tool used for surfacing, deburring and edge-blending. Removal of burrs and sharp edges in cross-drilled holes and other difficult-to-access areas such as undercuts, grooves, slots and internal holes is critical because they can cause blockages or create turbulence in the flow of fluids, lubricants and gases through critical passages. "On a given part, we might deploy two to three different size Flex-Hones, depending on the number of cross-port intersections and different hole sizes," Mr. Urano says. The Flex-Hones are added to the tool carousel and are used daily, usually several times an hour, on some of the shop's highest-volume parts. "The volume of abrasives that could even possibly come off of the Flex-Hone is insignificant compared to the rest of the particulate that gets into the coolant," Mr. Urano says. At Delta Machine, automated crosshole deburring is also integrated into the CNC machining process. "When you use the Flex-Hone for deburring, all you are doing is removing the burr. It does not create much dust," Mr. Garaczi says. "So, for me, any grit or dust released is zero concern. It is not like we are grinding inside the machine with powder everywhere - this is not the same at all." For Eric Sun, founder of Orange Vise Co. LLC in Orange County, California, even cutting tools such as carbide drills and end mills can create debris that must be filtered from the coolant. "Some machine shops might say, 'I do not use any abrasives in my process; therefore, my machine is completely free of all particulate matter,' but that is not the case. Even cutting tools can wear down and the carbide can come loose and get into the coolant," Mr. Sun says. Although Orange Vise is a contract manufacturer, the company primarily machines vises and quick-change fixturing components out of aluminum, steel and cast iron. The company uses four Mori Seiki NHX4000 high-speed horizontal machining centers and two vertical machining centers. According to Mr. Sun, many of the vises are made of cast iron with selectively hardened surfaces. To match the surface finish of the hardened surfaces, Orange Vise uses Brush Research Manufacturing's NamPower abrasive disc brushes. Composed of flexible abrasive nylon filaments bonded to a fiber-reinforced thermoplastic base, the NamPower abrasive disc brushes contain a unique combination of both ceramic and silicon carbide abrasive. The abrasive filaments work like flexible files, conforming to part contours, wiping and filing across part edges and surfaces to deliver maximum burr removal rates along with an ideal surface finish. Other common uses are edge blending, part cleaning and rust removal. To complete the surface finishing operation, abrasive nylon brushes are installed in the tool loading system of each CNC machine. Although abrasive grit is involved, Mr. Sun says the NamPower brush is a different type of abrasive because it is essentially self-sharpening. "We have used the NamPower abrasive nylon brushes daily for six years. During that time, we have had no issues with any sort of particulate or grit getting onto any critical surfaces," Mr. Sun adds. "In our experience, any small amount of grit created is a non-issue."
grinding wheel related knowledge
Emery Paper
Emery paper is a type of abrasive paper or sandpaper, that can be used to abrade (remove material from) surfaces or mechanically finish a surface. Operations include deburring, polishing, paint removal, corrosion removal, sizing, etc. This is accomplished by moving the abrasive-coated paper, with some pressure, against the object being processed. Abrasion may be performed by hand, electrically powered, or air powered equipment
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